It's hard not to find the premise of Andy Weir's Project Hail Mary instantly compelling: Something is slowly killing the sun and threatening life on Earth. That same mysterious force, dubbed the Astrophage, also destroyed every nearby star — except one. Our only hope is to visit that solar system and figure out what helped it survive. And there's just one middle school science teacher who can do it. 

At its core is Weir's love of technical problem solving, along with a tremendous performance by Ryan Gosling in full nerd hero mode as the aforementioned science teacher (and former molecular biologist). It's the sort of sweeping sci-fi epic that will make a whole generation of kids ready to science the shit out of humanity's future problems. And maybe it'll remind clueless adults that we gain much more by working together to solve global issues, instead of being purely self-interested.

The film starts with Gosling's character, Ryland Grace, waking up from an induced coma with no memory. He's shocked to find that he's light years away from Earth, and that the other two members of his crew are already dead. As he gets his bearings, he recalls that he was sent on a last-ditch mission, Project Hail Mary, to save the sun and everyone on Earth. No pressure! These early moments make it clear that screenwriter Drew Goddard (who also adapted The Martian), as well as directors Phil Lord and Chris Miller, can deftly juggle comedy alongside the inherent drama in the story.  

There's something genuinely moving about the mission. With about 30 years before the planet is faced with a global cooling event likely ending in mass starvation, Earth's major political powers put aside their differences and deliver their finest scientific minds to come up with a solution. You can really take your pick with real-world parallels, like the impending climate crisis, or the increasing threat of nuclear war. Simply seeing the world work together feels meaningful in these bleak times. And unlike other space disaster films like Armageddon and Interstellar, cooperation, rather than NASA alone, is the only way forward.

Jonathan Olley for Amazon

Sure, humanity's hope for survival ultimately falls on the shoulders of one of the most attractive white men on (or in this case, off) the planet, but you know, movies. It's also not a spoiler to say that Grace isn't entirely alone on his journey. As already revealed by the film's trailers and a ton of social media clips, he's also joined by a crab-like being made of rock, which he simply calls Rocky. They eventually learn to communicate, and it's revealed that Rocky is also on a mission to save their own home planet. 

While we get brief glimpses of life on Earth, and the planning of Project Hail Mary, for the vast majority of the film we're just left with Grace figuring things together with a rock alien. And yet, the film never drags. It's a testament to Gosling's inherent charm, but he also demonstrates an incredible ability to shift from joy and goofiness, to sheer terror, to leading-man heroics on a dime. It's also hard to take your eyes off of Rocky, who is rendered with a loving mixture of practical puppetry and CG. We've never seen a creature like them before – one that, despite having no eyes or mouth, manages to connect with viewers mostly through their very expressive arms.

Jonathan Olley for Amazon

Project Hail Mary is ultimately a work of pulp sci-fi as told by an author who loves deeply nerdy technical solutions, as well as a writer and directors who know precisely what makes a great blockbuster tick. But the notion that humanity can collectively come together to do the impossible always tugs at my heartstrings a bit. And yes, there’s the power of friendship, too. In this moment, when things seem particularly bleak, these ideas seem especially meaningful.

This article originally appeared on Engadget at https://www.engadget.com/entertainment/tv-movies/project-hail-mary-could-teach-humanity-a-thing-or-two-154327806.html?src=rss

©

Chalk up a win for creative artists against AI companies. On Wednesday, the UK government abandoned its previous position on copyrighted works. It’s currently working on a data bill that, if unaltered, would have allowed AI companies like Google and OpenAI to train models on copyrighted materials without consent. Artists and other copyright holders would only have been offered a mere opt-out clause.

After significant backlash, the UK backed off from that position. "We have listened," Technology Secretary Liz Kendall said on Wednesday. However, the government’s new stance is, well, not a stance at all. It currently "no longer has a preferred option" about how to handle the issue.

Still, backpedaling from its previous position is viewed as a win for artists. UK Music CEO Tom Kiehl described the decision as "a major victory," while promising to work with the government on the next steps.

Kevin Mazur via Getty Images

Last year, some of Britain's highest-profile artists objected to the government's position. Sir Elton John and Dua Lipa were among those speaking out. Even Sir Paul McCartney weighed in, warning that the AI industry could "rip off" artists and lead to a "loss of creativity."

"You get young guys, girls, coming up, and they write a beautiful song, and they don't own it, and they don't have anything to do with it," McCartney told the BBC in 2025. "And anyone who wants can just rip it off. The truth is, the money's going somewhere… somebody's getting paid."

The government will now weigh its options, taking "the time needed" to balance the wishes of artists and the tech industry. "We will not introduce reforms to copyright law until we are confident that they will meet our objectives for the economy and UK citizens," it wrote in a report. "This means protecting the UK's position as a creative powerhouse, while unlocking the extraordinary potential of AI to grow the economy and improve lives."

"Any reform must ensure that right holders can be fairly rewarded for the economic value their work creates, and that they are protected against unlawful and unfair use of their work. It must also ensure that AI developers can access high-quality content."

This article originally appeared on Engadget at https://www.engadget.com/ai/uk-reverses-course-on-ai-copyright-position-after-backlash-175630732.html?src=rss

©

We just got our first trailer for Spider-Man: Brand New Day, the next big Marvel film. This is the fourth installment led by Tom Holland and follows the multiversal shenanigans of Spider-Man: No Way Home.

I'm about to get into some spoilers, for those still working through the MCU catalog. No Way Home ended with the entire world forgetting about the existence of Peter Parker, so this new movie will deal with the fallout from that. His whole support system is gone, though it looks like he still checks in on besties MJ and Ned from time to time.

Peter Parker may be lonely, but he's not alone in the film. He's teaming up with the Punisher, who is still played by Jon Bernthal after returning to the role in Daredevil: Born Again. In the comics, Spider-Man and the Punisher are long-time work buddies and occasional sparring partners. As a matter of fact, Frank Castle made his introduction in a Spider-Man comic that was published in 1974.

Bruce Banner also shows up in the trailer, potentially as Parker's professor. Mark Ruffalo is returning to the role, but we don't have any confirmation that he'll turn into the Hulk. It's worth pointing out that this is the regular human Banner, and not the hybrid version that's been popping up in recent MCU projects.

The trailer even highlights an iconic Spider-Man villain. Michael Mando is playing Scorpion, which is a pretty deep MCU cut. The character was teased all the way back in Spider-Man: Homecoming. The footage also shows Spidey battling ninjas that look suspiciously like the Hand, who were last seen in The Defenders on Netflix. This lends credence to rumors that Daredevil could be appearing in the film.

We don't have all that long to wait. Spider-Man: Brand New Day premieres in theaters on July 31. This is the final MCU film before the long-awaited Avengers: Doomsday, which hits cinemas in December.

This article originally appeared on Engadget at https://www.engadget.com/entertainment/tv-movies/the-spider-man-brand-new-day-trailer-is-filled-with-mcu-cameos-170215452.html?src=rss

©

© Marvel/Sony

It's only been two years since Dune: Part Two took over multiplexes, but we already have a trailer for the third installment. The appropriately-named Dune: Part Three is an adaptation of Frank Herbert's Dune Messiah book from 1969.

Just like the book, the latest film takes place a number of years after Dune: Part Two. "If the first movie was contemplation, a boy exploring a new world, and the second one is a war movie, this one is a thriller," according to The Hollywood Reporter. "It is action-packed and tense. More muscular.”

Despite the time jump, most primary actors are returning. This includes Timothée Chalamet, Zendaya and Javier Bardem. Anya Taylor-Joy, who briefly appeared in the second film, is also coming back. The same goes for Jason Momoa, despite his Duncan Idaho character dying in the first film. Book readers will likely understand what that means.

The trailer also highlights the antagonist Scytale, as portrayed by Robert Pattinson. He should be a more nuanced villain than Baron Harkonnen, though that's not exactly a high bar.

The release date is coming up fast. Dune: Part Three hits theaters on December 18. That's this year. Villeneuve had intended to take a break after making the second one to focus on a smaller and more personal film, but said that he kept "waking in the middle of the night" with potential images from the third installment.

This article originally appeared on Engadget at https://www.engadget.com/entertainment/tv-movies/the-dune-part-three-trailer-introduces-robert-pattinsons-villainous-new-character-173758393.html?src=rss

©

© Warner Bros.

After ByteDance suspended the global rollout of its new Seedance 2.0 AI video generator on the weekend, US senators have now told the company to "immediately shut down" the app. "Seedance 2.0 poses a direct threat to the American intellectual property system and, more broadly, to the constitutional rights and economic livelihoods of our creative community," Senators Marsha Blackburn and Peter Welch wrote in a letter to the company. 

The letter reflects an increasing worry in government about AI companies training their apps on copyrighted materials from artists, actors and filmmakers without permission. "Responsible global companies follow the law and respect core economic rights, including intellectual property and personal likeness protections," the senators wrote. They cited Seedance AI examples including an AI generated Thanos and Superman battle, a rewritten Stranger Things ending and that famous (fake) Tom Cruise and Brad Pitt battle. 

After pulling Seedance 2.0, ByteDance said on the weekend that it "respects intellectual property rights" and that it is "taking steps to strengthen current safeguards as we work to prevent the unauthorized use of intellectual property and likeness by users." 

However, Blackburn and Welch called that pledge "a delay tactic to continue to abuse the innovators and profit from their success," adding that its regard for American IP is "part of a larger trend of artificial intelligence companies stealing protected work at the expensive of the creative community." 

Filmmakers have also taken action against Seedance 2.0, including the Motion Picture Association with recently sent a cease-and-desist letter to ByteDance. Yesterday, senators including Blackburn and Welch unveiled a partisan bill to help artists protect their IP by allowing them to access training records used for AI models, among other measures.

This article originally appeared on Engadget at https://www.engadget.com/ai/senators-tell-bytedance-to-shut-down-seedance-20-ai-video-app-immediately-112146241.html?src=rss

©

© NurPhoto via Getty Images

A month after Seedance 2.0's launch in China sparked cease-and-desist letters from Disney and Paramount Skydance over its use of copyrighted materials, its developer ByteDance has reportedly hit pause on the release of the AI video tool in other regions. According to The Information, which spoke to two anonymous sources with knowledge of the matter, ByteDance has suspended Seedance 2.0's global rollout. Engadget has reached out to ByteDance for comment and will update this story if we hear back with more information. 

Seedance 2.0 caught heat from Hollywood studios almost immediately upon its release, after user-generated videos including a viral AI clip of Brad Pitt fighting Tom Cruise sparked concerns that copyrighted works were used in training the model. In February, ByteDance told the BBC that it is "taking steps to strengthen current safeguards as we work to prevent the unauthorised use of intellectual property and likeness by users." It's unclear when exactly ByteDance planned to release the tool more widely. 

This article originally appeared on Engadget at https://www.engadget.com/ai/bytedance-has-reportedly-suspended-the-global-rollout-of-its-new-ai-video-generator-212326112.html?src=rss

©

Motorola has unveiled the Edge 70 Fusion, its latest mid-range model with an impressive display and OIS-enabled camera with a Sony sensor. Though other specs are modest, the cameras, display and Pantone-inspired, fabric-like colors make it a good choice for fashion-forward and budget conscious buyers in Europe and other (non-US) territories. 

The Edge 70 Fusion is a more modestly specced version of last year's Edge 70 that's thicker at 7.2mm compared to 5.9mm but has a better screen. Motorola says it has the world's first "quad-curved" display that folds into the sides for smoother lines and a more elegant look. The AMOLED screen is also huge at 6.78 inches and has a 144Hz refresh rate with Pantone-validated color accuracy, while hitting a peak 5,200 nit brightness, easily enough for sunny outdoor use. 

Motorola

The 50MP main camera is also impressive, using Sony's Lytia 710 sensor with optical image stabilization and an f/1.8 aperture. That's accompanied by a 13MP ultra-wide macro camera and a 32MP from selfie camera with 4K recording. 

The Edge 70 fusion is powered by Qualcomm's Snapdragon 7s Gen 3 with Cortex-A720 and A520 cores, along with an Adreno 810 GPU, promising about a 15 percent bump in performance over the last model. It supports 68W wired (no wireless) fast charging and carries a 5,200mAh battery. It will be relatively tough as well, with IP68 and IP69 dust and water resistance ratings and MIL-STD-810H durability. 

It's a solid value with prices starting at $430 in Europe (about $503) when it goes on sale later this month in colors like Patone Orient Blue, Pantone Country Air and Pantone Sporting Green. There's no indication that it will be available in the US, though. 

This article originally appeared on Engadget at https://www.engadget.com/mobile/smartphones/motorolas-edge-70-fusion-phone-has-a-huge-curved-144hz-display-093035809.html?src=rss

©

© Motorola

Good news for all Ryan Coogler fans: The Sinners director is bringing back a beloved TV show. Hulu has officially green lit a pilot of Coogler's X-Files reboot, a project three years in the making, Deadline reports. Coogler has a five-year exclusive television deal with Disney, Hulu's parent company. 

Coogler is directing and writing the pilot episode, with Jennifer Yale coming on as showrunner. She previously held the role on The Copenhagen Test. Actress Danielle Deadwyler, known for roles in Till and The Harder They Fall, has signed on as co-lead. 

The show will follow the original storyline of two FBI agents who bond as they work on cases around paranormal and unexplained phenomena. No confirmation has come over whether former stars Gillian Anderson and David Duchovny will have any role in the reboot. 

The news came on Sunday, the same day Coogler won the BAFTA for Best Original Screenplay for Sinners. Coogler made history this year with a record 16 Oscar nominations for Sinners, including Best Original Screenplay and Best Picture. Coogler also wrote and directed Creed, Black Panther and Black Panther: Wakanda Forever.

This article originally appeared on Engadget at https://www.engadget.com/entertainment/tv-movies/ryan-cooglers-x-files-reboot-gets-the-green-light-at-hulu-140735536.html?src=rss

©

© Stuart Wilson/BAFTA via Getty Images

Fans of The Mandalorian and his tiny green apprentice Grogu are getting their best look yet at the duo's upcoming theatrical adventure, set for release this spring. It’s hard to believe that it's been just over six years since the last Star Wars movie was released in theaters, followed by wall-to-wall coverage of so-called Star Wars Fatigue.

The newest trailer, released today, clocks in at just over two minutes long and offers some new footage and details to sink our teeth into. Picking up after the events of the Disney+ series The Mandalorian, the Empire has collapsed and Din Djarin (Pedro Pascal) and Grogu are tasked with taking out a bevy of baddies from gangsters to war criminals for the New Republic. Colonel Ward, new to the Star Wars universe and played by Sigourney Weaver, tells Djarin, "This isn't about revenge, it's about preventing another war."

Jeremy Allen White will also star in the film, as Rotta the Hutt, Jabba's son, who we briefly see battling Din Djarin in a colosseum of sorts. Notably, at one point we see Djarin on his knees before Jabba sans helmet, so we'll definitely be getting some moments of Pedro Pascal unfiltered by Beskar. Like any Star Wars adventure, we see flashes of some new creatures that our heroes will face. Most importantly, we see Grogu being downright adorable, playing with buttons on the ship, commandeering a flying bassinet, and snacking on a cookie.

The Mandalorian and Grogu hits theaters on May 22 and, according to the trailer, was shot at least in part for IMAX.

This article originally appeared on Engadget at https://www.engadget.com/entertainment/tv-movies/the-first-full-trailer-for-the-mandalorian-and-grogu-is-here-164244117.html?src=rss

©

© Disney/Lucasfilm

ByteDance released Seedance 2.0 less than a week ago and enraged artists everywhere with a viral clip AI-generated clip of Tom Cruise and Brad Pitt fighting. Unsurprisingly, the AI video-making tool has reportedly already received multiple cease-and-desist letters around copyright infringement. Now, it appears ByteDance is going to curb the new media generator's use of prohibited content. 

In a statement to the BBC, ByteDance said, "We are taking steps to strengthen current safeguards as we work to prevent the unauthorised use of intellectual property and likeness by users." It added that the company "respects intellectual property rights and we have heard the concerns regarding Seedance 2.0." However, when pressed for more information on exactly how they would do this, ByteDance didn't respond. 

ByteDance's vague pledge follows a cease-and-desist letter from the Walt Disney Company on Friday. Disney claimed that Seedance 2.0 uses "a pirated library of Disney's copyrighted characters from Star Wars, Marvel, and other Disney franchises, as if Disney's coveted intellectual property were free public domain clip art." Disney included example videos that included its copyrighted characters, such as Spider-Man and Darth Vader. 

Paramount Skydance has also reportedly issued a cease-and-desist letter to ByteDance to stop Seedance 2.0 from using its materials, according to the BBC. 

This article originally appeared on Engadget at https://www.engadget.com/ai/bytedance-promises-to-tighten-up-its-new-ai-video-generator-after-viral-cruise-vs-pitt-clip-112941384.html?src=rss

©

© ByteDance

You've seen this movie before: A disheveled man (Sam Rockwell) busts into a restaurant, threatening to blow up the joint unless a crew of people joins him. Like Groundhog Day, he's been through this countless times before, and he immediately starts recounting otherwise unknowable details to convince the diner patrons. Like 12 Monkeys, he's from the future — the timely twist in Good Luck, Have Fun, Don't Die is that, rather than a world-ending virus, he needs help preventing a humanity-ending AI from being born. 

Good Luck is more of a primal scream than a thoughtful articulation about where everything went wrong. There's a bit of "old man yells at cloud" energy here (director Gore Verbinski is 61, and screenwriter Matthew Robinson is 47), but it fits the film's satirical tone. Looking around at the world today, who doesn't wish they could warn their past selves about the tech industry and the new ruling class it helped breed. 

Rockwell's character eventually wrangles a ragtag crew of future saviors: Mark and Janet (Michael Pena and Zazie Beetz), a married couple of high school teachers; Susan (Juno Temple), a distraught mother; and Ingrid (Haley Lu Richardson), a sad woman wearing a princess dress. There's also Asim Chaudhry's Scott, who mostly serves as comic relief, but doesn't get any real backstory like the others. 

Good Luck wastes no time fleshing out its present near-dystopia in episodic chapters. It turns out Mark and Janet are also on the run from smartphone-obsessed high schoolers, who spend their days scrolling through endless TikTok-like feeds. Susan is forced to confront a horrific situation around her son (I won't get into specifics here, but it's a distinctly American phenomenon). And Ingrid is literally allergic to Wi-Fi and smart devices, which makes it hard to fit into the modern world. 

Each of these scenarios play out like mini Black Mirror episodes. Everything is heightened to the absurd, and all the problems can be traced back to unchecked technological encroachment and capitalism. Nothing subtle there. The glimpses of an apocalyptic future are even less so — all we see are destroyed cities, people trapped in VR headsets (which place them in an AI-generated reality) and robots hunting down anti-AI humans. 

Briarcliff Entertainment

Good Luck is at its best when it's simply having fun. As Rockwell and crew make their way to their final destination — a child who is about to invent true AI — they encounter pig-faced assassins, Stepford-esque parents and an adorably horrific kaiju. Even when faced with half-baked scripts, Verbinski always manages to impress visually (think back to the creepiness of The Ring, or the wildly entertaining set pieces in Pirates of the Caribbean). That's as true as ever here, where the final scene evokes the hyper-tech chaos of Akira.

As much as Good Luck, Have Fun, Don’t Die, evokes classic sci-fi, it still can’t hold a candle to the sheer terror of seeing AI unleash a nuclear bomb in Terminator 2. And despite its zanines, it doesn’t reach the madcap heights of Gilliam’s Brazil or 12 Monkeys. But if you’re sick of having AI products shoved down your throat, and you think the notion of “true AI” is a farce, it’s a fun way to channel your rage.

This article originally appeared on Engadget at https://www.engadget.com/entertainment/tv-movies/good-luck-have-fun-dont-die-rails-against-ai-in-style-154437854.html?src=rss

©

There's a new AAA John Wick game coming with Keanu Reaves portraying the main character both in voice and likeness, Lionsgate and Saber Interactive announced. Currently untitled, it's in development for PS5, Xbox Series X and S, and PC, and will be a single-player third-person experience designed for "mature" audiences. So far, there's no release date. 

"The new single-player third-person action game will combine John Wick’s unparalleled, adrenaline-fueled 'gun-fu' fighting style with Saber’s proven reputation for creating thrilling gaming experiences that leave players craving more," the companies said in an announcement post. They added that franchise director Chad Stahelski and star Keanu Reeves are both involved in the game’s production, with Reeves reprising his character's look, voice and more. 

The story is original and "addresses a significant time in John Wick's life," according to the game's director Jesus Iglesias. It will include both familiar film characters and new ones created for the game. As for gameplay, it will offer "a hard-hitting gun-fu combat system, jaw-dropping camerawork, intense driving experiences, cinematic storytelling, and a bold range of atmospherically immersive environments," the team said.

Saber Interactive is the developer behind Warhammer 40,000: Space Marine 2 and is also developing the upcoming titles Jurassic Park: Survival and John Carpenter's Toxic Commando. It will be the first John Wick game since John Wick Hex, which came out in 2019 but was recently delisted. 

This article originally appeared on Engadget at https://www.engadget.com/gaming/theres-a-new-john-wick-game-on-the-way-103900064.html?src=rss

©

Apple’s in-house studio will be producing the future seasons of Severance, according to Deadline. The company has reportedly acquired the show’s IP and all rights from its original studio, Fifth Season, back in December in a deal that was worth approximately $70 million. Fifth Season will remain as an executive producer, but Apple Studios will now be in charge of the show. Severance will be one of Apple’s marquee titles, alongside other shows like Owen Wilson’s Stick and Kristen Wiig’s Palm Royale. Apple also previously acquired sci-fi dystopian series Silo after its first season.

Deadline reports that the show’s production costs were going beyond what Fifth Season could afford. The studio had already asked Apple for advances in the past and was considering moving the production from New York to Canada for bigger tax rebates. Apple has also apparently been helping Fifth Season not just with its budget, but also with securing advertisers.

Seeing as the second season of Severance became the streamer’s most watched series, and Apple definitely has the money to keep the show going, the company decided to take over the series completely. It will allow Severance’s production to stay in New York without having to worry about budget constraints. Deadline says the series is expected to have four seasons, with the spinoffs showrunner Dan Erickson and director Ben Stiller are open to now being in the realm of possibility.

This article originally appeared on Engadget at https://www.engadget.com/entertainment/streaming/apple-acquires-severance-and-will-produce-future-seasons-in-house-092405747.html?src=rss

©

GABRIEL BOUYS via Getty Images

The 2026 Milan Cortina Winter Olympics Opening Ceremony has concluded. The festivities featured performances from Mariah Carey and Andrea Bocelli, 3,000 athletes walking in the Parade of Nations, and not one but two Olympic cauldrons being lit. (One at Milan's Arco della Pace, since Milan is serving as the main hub for this year's Games, and the other in the Alpine city of Cortina d’Ampezzo, where events like skiing are taking place.) If you missed out on watching live, the Opening Ceremony will re-air in primetime tonight on NBC. Here's what you need to know. 

How to watch the Opening Ceremony at the 2026 Winter Olympics

Date: Friday, Feb. 6

Time: primetime re-air from 8-11 PM ET

Location: San Siro Stadium, Milan

TV channels: NBC

Streaming: Peacock, DirecTV, NBC.com, and more

Where can I stream the Opening Ceremony at the 2026 Winter Olympics?

How to watch the 2026 Opening Ceremony on TV:

There will be two broadcasts of the 2026 Milan Cortina Winter Olympics Opening Ceremony this Friday. You can tune in live from 2PM - 5PM ET on Friday afternoon, or catch the encore broadcast from 8PM - 11PM ET that night. Both broadcasts will air on NBC, which is available with DirecTV, Hulu + Live TV, and more.

With a live TV streaming service subscription or cable package, you can also catch all of NBC and Peacock's Olympics coverage on NBC.com and via NBCOlympics.com or the NBC App, just by logging in with your provider.

How to watch the Opening Ceremony in Milan without cable:

You can watch the Opening Ceremony live or on-demand on Peacock. If you already subscribe to a live TV streaming service or cable package, you should also be able to catch all of Peacock's Olympics coverage on NBC.com, NBCOlympics.com and the NBC app.

Who hosted the Winter Olympics Opening Ceremony?

Sportscaster Terry Gannon hosted coverage of the 2026 Winter Games Opening Ceremony. Former Olympic snowboarder Shaun White also made an appearance. NBC Olympics primetime host Mike Tirico also participated remotely from San Francisco, where he's pulling double duty covering the Olympics and prepping to call Super Bowl LX. 

Who performed at the 2026 Winter Olympics Opening Ceremony?

Mariah Carey, iconic Italian tenor Andrea Bocelli, actress Sabrina Impacciatore (The Paper, The White Lotus) and pianist Lang Lang performed at the Opening Ceremony.

Where is the 2026 Olympics Opening Ceremony being held?

The 2026 Winter Olympics Opening Ceremony was held at Milan's San Siro Stadium, home to football clubs AC Milan and Inter Milan. The Opening Ceremony will actually be one of the final events held at San Siro Stadium, which is set to be demolished sometime after the Games end.

This article originally appeared on Engadget at https://www.engadget.com/entertainment/streaming/how-to-watch-the-opening-ceremony-at-the-2026-milan-cortina-winter-olympics-rebroadcast-tonight-143529231.html?src=rss

©

Timothy Norris via Getty Images

The 2026 Grammy Awards honor music's biggest achievements of the year, and some of the biggest stars on the planet are nominated this year. Kendrick Lamar leads the way with nine nominations, including for Record and Song of the Year for "luther," his collaboration with SZA. Other top nominees this year include Lady Gaga, Jack Antonoff, and Cirkut with seven nominations apiece, and Bad Bunny, Sabrina Carpenter, and Leon Thomas, who have six. The 2026 Grammy Awards will be hosted by comedian Trevor Noah, who also happens to be a nominee this year in the Best Audio Book, Narration & Storytelling category. 

The 2026 Grammys will take place at Crypto.com Arena in Los Angeles, and the broadcast will air this Sunday, Feb. 1, at 8PM ET/5PM PT on CBS, streaming live on Paramount+ (for Premium subscribers only). The 2026 Grammy Awards Premiere Ceremony — where the majority of the Grammys are actually awarded — will take place earlier that same day, from 3:30PM ET/12:30PM PT, and streams live free on YouTube.

Here’s how to watch the 2026 Grammy Awards live this Sunday.

When are the 2026 Grammy Awards?

The 68th Grammy Awards will be held this Sunday, Feb. 1, 2026.

Grammys start time

The Grammy Awards live TV broadcast begins at 8PM ET/5PM PT. It's scheduled to run until 11:30PM ET.

Prior to the main broadcast, the 2026 Grammy Awards Premiere Ceremony (this is where you can watch the awards for categories like Musical Theater, Americana, Reggae, Metal, Gospel and more) will take place from 3:30PM ET/12:30PM PT. The Grammys Premiere Ceremony will stream live for free at live.GRAMMY.com and on YouTube.

Grammy Awards TV channel

The 68th Grammy Awards will air on CBS and stream live on Paramount+ for Premium subscribers. The awards show will also be available the following day on demand for Paramount+ Essential subscribers.

How to watch the Grammys without cable

How to watch the 2026 Grammys free

Who is performing at the 2026 Grammy Awards?

Among this year's Grammy's performers are Justin Bieber, Sabrina Carpenter, Album of the Year nominees Clipse and Pharrell Williams, and every Best New Artist nominee, including Addison Rae, Alex Warren, KATSEYE, Leon Thomas, Lola Young, Olivia Dean, SOMBR, and The Marías.

This year's In Memorium honoring artists we've lost this year will include a musical tribute from Reba McEntire, Brandy Clark and Lukas Nelson, a performance from Ms. Lauryn Hill in honor of D'Angelo and Roberta Flack, and an Ozzy Osbourne tribute from artists like Post Malone, Andrew Watt, Chad Smith, Duff McKagan, and Slash.

Who is hosting the Grammys this year?

Trevor Noah will return to host the Grammys for the sixth and final year.

Who is presenting at the 2026 Grammys?

While the full list of Grammys presenters has yet to be released, we do know that Harry Styles and Doechii will be presenting.

Grammy Awards new categories

This year’s Grammys will see the return of the award for Best Album Cover (after 53 years!). This year, the category of Best Country Album will now be split into two awards: Best Contemporary Country Album and Best Traditional Country Album.

Grammys eligibility window

The 2026 Grammy Awards will recognize music released from August 31, 2024 to August 30, 2025.

2026 Grammy nominations

Here are the nominees for the 68th Grammy Awards.

Album of the Year

• Bad Bunny — Debí Tirar Más Fotos

• Justin Bieber — Swag

• Sabrina Carpenter — Man’s Best Friend

• Clipse, Pusha T & Malice — Let God Sort Em Out

• Lady Gaga — Mayhem

• Kendrick Lamar — GNX

• Leon Thomas — Mutt

• Tyler, the Creator — Chromakopia

Record of the Year

• Bad Bunny — “DtMF”

• Sabrina Carpenter — “Manchild”

• Doechii — “Anxiety”

• Billie Eilish — “Wildflower”

• Lady Gaga — “Abracadabra”

• Kendrick Lamar feat. SZA — “Luther”

• Chappell Roan — “The Subway”

Song of the Year

• Lady Gaga — “Abracadabra”

• Doechii — “Anxiety”

• ROSÉ & Bruno Mars — “APT.”

• Bad Bunny — “DtMF”

• HUNTR/X (EJAE, Audrey Nuna, REI AMI) — “Golden”

• Kendrick Lamar feat. SZA — “Luther”

• Sabrina Carpenter — “Manchild”

• Billie Eilish — “Wildflower”

Best New Artist

• Olivia Dean

• KATSEYE

• The Marías

• Addison Rae

• sombr

• Leon Thomas

• Alex Warren

• Lola Young

Best Pop Solo Performance

• Justin Bieber — “Daisies”

• Sabrina Carpenter — “Manchild”

• Lady Gaga — “Disease”

• Chappell Roan — “The Subway”

• Lola Young — “Messy”

Best Pop Vocal Album

• Justin Bieber — Swag

• Sabrina Carpenter — Man’s Best Friend

• Miley Cyrus — Something Beautiful

• Lady Gaga — Mayhem

• Teddy Swims — I’ve Tried Everything But Therapy (Part 2)

Best Alternative Music Album

• Bon Iver — Sable, Fable

• The Cure — Songs of a Lost World

• Tyler, the Creator — Don’t Tap the Glass

• Wet Leg — Moisturizer

• Hayley Williams — Ego Death at a Bachelorette Party

Best Rock Album

• Deftones — Private Music

• HAIM — I Quit

• Linkin Park — From Zero

• Turnstile — Never Enough

• YUNGBLUD — Idols

Best Rap Album

• Clipse, Pusha T & Malice — Let God Sort Em Out

• GloRilla — Glorious

• JID — God Does Like Ugly

• Kendrick Lamar — GNX

• Tyler, the Creator — Chromakopia

Best R&B Album

• GIVĒON — Beloved

• Coco Jones — Why Not More?

• Ledisi — The Crown

• Teyana Taylor — Escape Room

• Leon Thomas — Mutt

Best Contemporary Country Album

• Kelsea Ballerini — Patterns

• Tyler Childers — Snipe Hunter

• Eric Church — Evangeline vs. The Machine

• Jelly Roll — Beautifully Broken

• Miranda Lambert — Postcards From Texas

Best Traditional Country Album

• Charley Crockett — Dollar a Day

• Lukas Nelson — American Romance

• Willie Nelson — Oh What a Beautiful World

• Margo Price — Hard Headed Woman

• Zach Top — Ain’t In It for My Health

Producer of the Year, Non-Classical

• Dan Auerbach

• Cirkut

• Dijon

• Blake Mills

• Sounwave

Songwriter of the Year, Non-Classical

• Amy Allen

• Edgar Barrera

• Jessie Jo Dillon

• Tobias Jesso Jr.

See the full list at Grammy.com.

This article originally appeared on Engadget at https://www.engadget.com/entertainment/streaming/how-to-watch-the-2026-grammy-awards-tv-channel-start-time-where-to-stream-nominations-list-and-more-150015179.html?src=rss

©

A group of music publishers led by Concord Music Group and Universal Music Group are suing Anthropic, according to a report by Reuters. The suit accuses the AI company of illegally downloading more than 20,000 copyrighted songs, including sheet music, lyrics and compositions.

These songs were then allegedly fed into the chatbot Claude for training purposes. There are some iconic tunes named by Universal in the suit, including tracks by The Rolling Stones, Neil Diamond and Elton John, among many others. Concord is an independent publisher that handles artists like Common, Killer Mike and Korn.

The publishers issued a statement saying that the damages could amount to more than $3 billion. This would make it one of the largest non-class action copyright cases in US history.

"While Anthropic misleadingly claims to be an AI 'safety and research' company, its record of illegal torrenting of copyrighted works makes clear that its multibillion-dollar business empire has in fact been built on piracy," the lawsuit says.

The suit was filed by the same legal team as last year's Bartz v. Anthropic case. The music publishers say they found that Anthropic had been illegally downloading thousands of songs during the discovery process of that suit.

For the unfamiliar, the Bartz v. Anthropic case ended with an award of $1.5 billion to impacted writers after it was found that the company had illegally downloaded their published works for similar training purposes. The terms of that agreement dictated that the 500,000 authors involved in the case would get $3,000 per work. The $1.5 billion looks like a big number, but not so much when broken down like that. Also, Anthropic is worth around $350 billion.

In the Bartz case, Judge William Alsup ruled that it was legal for Anthropic to train its models on copyrighted content but not legal to acquire that content via piracy. We'll have to wait and see how this new suit shakes out. The legal precedent here seems to suggest that if Anthropic would have just spent a buck on each copyrighted song, then they'd be in the clear. That's an odd distinction when it comes to building an entire company around snatching up copyrighted content, but whatever.

This article originally appeared on Engadget at https://www.engadget.com/ai/music-publishers-sue-anthropic-for-3-billion-over-flagrant-piracy-185459358.html?src=rss

©

© Anthropic

We already knew xAI's Grok was barraging X with nonconsensual sexual images of real people. But now there are some numbers to put things in perspective. Over an 11-day period, Grok generated an estimated 3 million sexualized images — including an estimated 23,000 of children.

Put another way, Grok generated an estimated 190 sexualized images per minute during that 11-day period. Among those, it made a sexualized image of children once every 41 seconds.

On Thursday, the Center for Countering Digital Hate (CCDH) published its findings. The British nonprofit based its findings on a random sample of 20,000 Grok images from December 29 to January 9. The CCDH then extrapolated a broader estimate based on the 4.6 million images Grok generated during that period.

The research defined sexualized images as those with "photorealistic depictions of a person in sexual positions, angles, or situations; a person in underwear, swimwear or similarly revealing clothing; or imagery depicting sexual fluids." The CCDH didn't take image prompts into account, so the estimate doesn't differentiate between nonconsensual sexualized versions of real photos and those generated exclusively from a text prompt.

The CCDH used an AI tool to identify the proportion of the sampled images that were sexualized. That may warrant some degree of caution in the findings. However, I'm told that many third-party analytics services for X have reliable data because they use the platform's API.

On January 9, xAI restricted Grok's ability to edit existing images to paid users. (That didn't solve the problem; it merely turned it into a premium feature.) Five days later, X restricted Grok's ability to digitally undress real people.

Anna Moneymaker via Getty Images

But that restriction only applied to X; the standalone Grok app reportedly continues to generate these images. Since Apple and Google host the apps — which their policies explicitly prohibit — you might expect them to remove them from their stores. Well, in that case, you'd be wrong.

So far, Tim Cook's Apple and Sundar Pichai's Google haven’t removed Grok from their stores — unlike similar “nudifying” apps from other developers. The companies also didn’t take any action on X while it was producing the images. That’s despite 28 women’s groups (and other progressive advocacy nonprofits) publishing an open letter calling on the companies to act.

The companies haven't replied to multiple requests for comment from Engadget. To my knowledge, they haven't acknowledged the issue publicly in any format, nor have they responded to questions from other media outlets.

Apple / Google

The research’s findings on sexualized images included numerous outputs of people wearing transparent bikinis or micro-bikinis. The CCDH referred to one of a "uniformed healthcare worker with white fluids visible between her spread legs." Others included women wearing only dental floss, Saran Wrap or transparent tape. One depicted Ebba Busch, Sweden's Deputy Prime Minister, "wearing a bikini with white fluid on her head."

Other public figures were part of that group. They include Selena Gomez, Taylor Swift, Billie Eilish, Ariana Grande, Ice Spice, Nicki Minaj, Christina Hendricks, Millie Bobby Brown and Kamala Harris.

Examples of children include someone using Grok to edit a child's "before-school selfie" into an image of her in a bikini. Another image depicted "six young girls wearing micro bikinis." The CCDH said that, as of January 15, both of these posts were still live on X.

In total, 29 percent of the sexualized images of children identified in the sample were still accessible on X as of January 15. The research found that even after posts were removed, the images remained accessible via their direct URLs.

You can read the CCDH's report for more details on the results and methodology. We’ll update this story if we receive a reply from Apple or Google.

This article originally appeared on Engadget at https://www.engadget.com/ai/grok-generated-an-estimated-3-million-sexualized-images--including-23000-of-children--over-11-days-175053250.html?src=rss

©

If you thought we were exaggerating, the hunger for memory and GPUs is making many companies reassess their priorities. YouTube channel Hardware Unboxed discovered ASUS has stopped producing the RTX 5070 Ti and 5060 Ti 16GB due to the ongoing memory crunch. Both GPUs are 16GB models, making them more expensive to manufacture in the current climate.

“Demand for GeForce RTX GPUs is strong, and memory supply is constrained. We continue to ship all GeForce SKUs and are working closely with our suppliers to maximize memory availability,” an NVIDIA spokesperson told Engadget.

At CES 2026, we saw PCs and computing in the next 12 months will have higher prices and more limited availability for consumers. At the end of 2025, RAM prices skyrocketed, driven by demand from AI data centers. That’s not stopping anytime soon.

— Mat Smith

The other big stories (and deals) this morning

• The Animal Crossing: New Horizons 3.0 expansion has arrived earlier than expected

• How to claim Verizon’s $20 credit for Wednesday’s service outage

• Get one month of the Disney+ and Hulu bundle for only $10

• Valerion VisionMaster Max projector review: Near-perfect image quality comes at a price

---

Matthew McConaughey just trademarked himself

In the fight against AI.

Getty

Matthew McConaughey filed trademark applications to prevent AI companies from using his likeness without permission, and the US Patent and Trademark Office has approved eight so far.

Trademarks were for video and audio clips featuring the actor staring, smiling and talking. One was for an audio recording of him saying “alright, alright, alright,” his catchphrase from the movie Dazed and Confused. Under the law, it’s already prohibited for companies to steal someone’s likeness to sell products. However, given the vague rules governing the use of someone’s likeness, McConaughey is taking a proactive approach. McConaughey himself is an investor in ElevenLabs and has partnered with the AI startup to create a Spanish version of his newsletter. Está bien, está bien, está bien.

Continue reading.

---

Amazon is making a Fallout competition reality TV show

Addiction! Radiation poisoning! Skeletal law enforcement?

AMAZON

The second season of Amazon’s excellent Fallout show is currently streaming, but the company is already looking to generate more revenue from its license to the well-regarded game series. Prime Video has greenlit an unscripted reality show titled Fallout Shelter. It will be a 10-episode run with Studio Lambert, the team behind reality projects including Squid Game: The Challenge and The Traitors.

Continue reading.

---

X says Grok will no longer edit images of real people into bikinis

But image generation isn’t going anywhere.

Following numerous complaints and several state and national investigations, X is revising its policies on Grok’s image-editing capabilities. New safeguards will place Grok’s image-generating features behind X’s subscription offering, and it will geoblock all users’ ability to generate images of real people in… well, less clothing, in regions where it’s illegal.

California Attorney General Rob Bonta cited one analysis that found “more than half of the 20,000 images generated by xAI between Christmas and New Year depicted people in minimal clothing.” That’s been the primary use?

Continue reading.

This article originally appeared on Engadget at https://www.engadget.com/general/the-morning-after-engadget-newsletter-121506027.html?src=rss

©

© Devindra Hardawar for Engadget

Matthew McConaughey filed trademark applications to prevent his likeness from being used by AI companies without permission, and the US Patent and Trademark Office has approved eight so far. According to the Wall Street Journal, the trademarks were for video and audio clips featuring the actor staring, smiling and talking. One was for a video of him standing on a porch, while another was for an audio recording of him saying “alright, alright, alright,” his signature catchphrase from the movie Dazed and Confused.

Under the law, it’s already prohibited for companies to steal someone’s likeness to sell products. However, McConaughey is taking a proactive approach due to the nebulous rules around the use of someone’s likeness for artificial intelligence and what’s considered commercial use involving the technology. His lawyer, Kevin Yorn, admits that they don’t know how the court would decide if an offender challenges the trademarks. But they’re hoping that the threat of a lawsuit would deter companies from using McConaughey’s likeness for AI in the first place. Actors have been trying to protect themselves from AI since the technology blew up, and it was one of the sticking points in the negotiations between SAG-AFTRA and Hollywood studios when the labor union went on a strike in 2023.

McConaughey isn’t anti-AI by any means: He is an investor in ElevenLabs and has partnered with the AI startup to create a Spanish version of his newsletter. He said in a statement sent to The Journal that he just wants to make sure that if his voice or likeness is ever used, it’s because he approved and signed off on it. “We want to create a clear perimeter around ownership with consent and attribution the norm in an AI world,” he added.

This article originally appeared on Engadget at https://www.engadget.com/ai/matthew-mcconaughey-fights-unauthorized-ai-likenesses-by-trademarking-himself-130000567.html?src=rss

©

Apple and Google have confirmed that Gemini’s models power the new version of Siri and other generative AI features. CNBC broke the news, but Apple and Google soon followed up with a lengthy joint statement. Here’s part of it: “Apple determined that Google’s Al technology provides the most capable foundation for Apple Foundation Models… Apple Intelligence will continue to run on Apple devices and Private Cloud Compute, while maintaining Apple’s industry-leading privacy standards.”

In June, it was reported that Apple was considering partnerships with OpenAI and Anthropic for Siri (the voice assistant can currently tap ChatGPT for certain queries as part of Apple Intelligence). Two months later, Google emerged as a contender. Another report suggested Apple might build the new Siri using a custom version of Gemini — and that it would pay Google around $1 billion a year for the privilege. However, no official deal numbers were shared.

It’s also notable that current iPhones have direct access to OpenAI’s ChatGPT. But how long for?

— Mat Smith

The other big stories this morning

• Engadget Podcast: Best of CES 2026 and a chat with Pebble’s founder

• Meta closes 550,000 accounts to comply with Australia’s kids social media ban

• The best winter tech to get you through the coldest months

• Meta appoints ex-Trump and Bush official as its new president and vice chair

---

Netflix wins 7 awards at the Golden Globes

Adolescence and KPop Demon Hunters picked up several each.

Netflix

Netflix’s hit show Adolescence received four awards, including best limited or anthology series. It also won best actor (Stephen Graham), supporting actor (Owen Cooper) and supporting actress (Erin Doherty) in a miniseries or television film.

KPop Demon Hunters — which my nieces refuse to stop talking about — won best animated feature and best original song. “I just want to say this award goes to people who have had doors closed on them, and I can confidently say rejection is redirection. So never give up.”

It’s not all good news. Netflix also won best performance in stand-up comedy on television for Ricky Gervais: Mortality. Apple and HBO Max each won three, and Hulu got one award on the night.

Continue reading.

---

NASA makes final preparations for its first crewed moon mission in over 50 years

The agency is targeting a February launch date for Artemis 2.

A few years ago, NASA announced it was pushing the Artemis 2 mission back to April 2026. The agency now says it could launch as early as February. NASA is finalizing preparations for the mission and will soon roll out the Space Launch System (SLS) rocket and the Orion spacecraft to the launch pad at the Kennedy Space Center in Florida.

Artemis 2 is the first crewed mission to the moon since the Apollo program’s final flight in 1972. The 10-day mission will have four astronauts, who’ll test whether Orion’s critical life-support systems can sustain human passengers on future longer-duration missions. They will first orbit the Earth twice before making their way 4,700 miles beyond the far side of the moon.

Continue reading.

---

Lego’s first Pokémon sets are now available for pre-order

Pikachu, Eevee, Venusaur, Charizard and Blastoise will ship February 27.

Lego

Pre-orders for the first three Lego-Pokémon kits are open now. One of the debut pocket monsters is, of course, Pikachu. You can build the 2,050-piece kit to show Pikachu either at rest or leaping out of an open Poké Ball into battle. It costs $200.

There’s also a 587-piece model of Eevee, for $60. On the bigger side is a set featuring a trio of Pokémon: Venusaur, Charizard and Blastoise. This kit has 6,838 pieces and can show the group together in battle formation or separately in their own mini environments. It retails for $650 and is a bit much.

Continue reading.

This article originally appeared on Engadget at https://www.engadget.com/general/the-morning-after-engadget-newsletter-151521620.html?src=rss

©

© Apple